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Wagners Die Walkre Essay Example

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Wagners Die Walkre

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Siegmund remembers the promise of his father of giving him a sword. The narrative of Sieglinde brings out her sad forced marriage to Hunding. The joy brought by Siegmund to his sister is evident in his winter storms that waned in the moon of delight, while greeting and attributing her coming as the springThe second act of this scene illustrates Fricka’s denunciation of Wotan, and the explanations of Wotan to Brunnhilde, when the love of young pleasure left. Brunnhilde informs Sigmund of his impending death. Her pleas to the father are clear at war, when she gave precedence to love prior to duty to her father, proceeding his wants rather than his command (Roth 156). The act is characterized by fifteen characters, whereas the narration presents the moods of happiness as well as that of sorrows, the latter particularly in instances of death. The narration is also a factor of two main themes, which are the theme of happiness and that of remorsefulness.Wagner acquired important innovations in orchestration by his works. He wrote for a massive orchestra, utilizing the whole range of instruments used independently or in combination to enhance the big range of emotions as well as the drama events. In comparison of his two productions, it is evident that Wagner commissioned the production of using new instruments, such as the Wagner tuba.In his 2010 production, Wagner used the Wagner tuba to fill the gap that existed between the tonal quality of the horn and that of the trombone, with the existing instruments variations. Use of the Wagner bell was absent in the 1980 production, but in 2010, it enabled the bassoon to attain the law of a natural theme. However, the B-flat is occasionally the instrument’s lowest note. The use of contrabassoon is evident in the 1980 production in the absence of the Wagner bell. All the two operas exhibit similar instrumentation. The core assembling of instruments include; three flutes, one piccolo, three oboes, three soprano clarinets and one bass clarinet. There is the use of other varieties’ of instruments, to bring out the various distinct themes (Engstrom 88).Much of the Ring between the two productions, do not clearly bring out the traditionally defined keys of long stretches. However, they, accords two key segments, each of which smoothly flows into the following narrations. The above fluidity avoided the clear equivalently defined musical paragraphs, thus assisting Wagner in building huge

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Works Cited

Rheingold, Das, and Die Walküre. "Stage and Costume Design: Anna Viebrock." The Opera Quarterly 26.1 (2010): 129-130. Print

Moravcsik, Andrew. "The Stuttgart Ring on DVD: A Review PortfolioEveryday Totalitarianism: Reflections on the Stuttgart Ring." The Opera Quarterly 26.1 (2010): 131-148. Print

Roth, Marc. "Staging ‘The Masters’ Works: Wagner, Appia, and Theatrical Abuse." Theatre Research International 5.02 (1980): 138-157. Print

Engstrom, John. "Opera at Bayreuth: Chereaus Ring, 1976–1983." Theater 12.3 (1981): 86-90. Print

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preview essay on Wagners Die Walkre
  • Pages: 5 (1250 words)
  • Document Type: Essay
  • Subject: Music
  • Level: Undergraduate
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