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Supernatural literature Essay Example

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Supernatural literature

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Supernatural literature explores the characteristic themes of fantasy, i. transformations or changes, invisibility, doubles and disappearances. Rosemary Jackson’s Fantasy: The literature of subversion explores questions and interrogates the relationships between reality and unreality, self or not self and conscious and unconscious. This is on the basis of the reversed perspective. The silenced in a dominant value system are covered and made invisible, absent or unavailable. The literature of subversion is based on the perspective of the figure on the margins of the text with an inclusion of the helper in the quest, the secondary character and the perceived donor of magical aid (Rudd, 2012).In supernatural literature there is the portrayal of fundamental anxiety about the limits of reason and consciousness, where there is no creation of alternative worlds. Rather, there is the articulation or description of emptiness experienced during individual confrontations with their desires, based on the perceived impossibility of those desires. This sparks criticism due to the biased use of reversed perception in writing of supernatural literature, and the revelation about supernatural narratives and their roles in disclosure of the invisible and the silenced (Barnet, Burto & Cain, 2011).Rosemary’s fantasy literature of subversion expounds on the notion of character in realistic fiction, arguing out that as long as supernatural literature does not put aside the character and everything implied by the character in terms of illusion and complicity with classical reasoning and the appropriation economy that such reasoning supports, there is continued lock up in the treadmill of production. She seeks to criticize against the vague interpretations of fantasy as mere escapism, and simultaneously tries to explore fantasy as a distinctive narrative. She seeks to explore the use of fantasy, in supernatural literature, in expressing and defining culture, and the connection between individual desires (Barnet, Burto & Cain, 2011).Immersive fantasy in supernatural literature writing encourages individuals to share to sets of assumptions and perceptions, in addition to the real world. It creates interactions between readers and protagonists, with the fantasy presented as a norm to the readers, with no space for comment and no

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References

Barnet, S Burto, W& Cain, W E 2011, Literature for composition: essays, stories, poems, and plays, Boston, Longman.

Friesen, R C 2010, Supernatural fiction in early modern drama and culture, Brighton [England], Sussex Academic Press.

Greeson, J R, 2010, Our South geographic fantasy and the rise of national literature, Cambridge, Mass, HarvardUniversity Press.

Hyman, W B 2011, The automaton in English Renaissance literature. Burlington, Vt, Ashgate.

James, E & Mendlesohn, F 2012, The Cambridge Companion to Fantasy Literature: Cambridge Companions to Literature, Cambridge:Cambridge University Press.

Marcus, L S 2006,The wand in the word: conversations with writers of fantasy, Cambridge, Mass, Candlewick Press.

Poole, K 2011, Supernatural environments in Shakespeares England: spaces of demonism, divinity, and drama, Cambridge, Cambridge University Press.

Rancière, J& Swenson, J2011, Mute speech: literature, critical theory, and politics, New York, NY: ColumbiaUniversity Press.

Rudd, D 2012, The Routledge Companion to Childrens Literature: Routledge Companions, New York, NY: Routledge.

Zipes, J 2011, Fairy Tales and the Art of Subversion, Hoboken, Taylor and Francis.

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preview essay on Supernatural literature
  • Pages: 8 (2000 words)
  • Document Type: Essay
  • Subject: English
  • Level: Undergraduate
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