Supernatural literature explores the characteristic themes of fantasy, i transformations or changes, ivisibility, dubles and disappearances. Rsemary Jackson’s Fantasy: Te literature of subversion explores questions and interrogates the relationships between reality and unreality, slf or not self and conscious and unconscious. Tis is on the basis of the reversed perspective. Te silenced in a dominant value system are covered and made invisible, asent or unavailable. Te literature of subversion is based on the perspective of the figure on the margins of the text with an inclusion of the the quest, te secondary character and the perceived donor of magical aid (Rudd, 2012).
I supernatural literature there is the portrayal of fundamental anxiety about the limits of reason and consciousness, were there is no creation of alternative worlds. Rther, tere is the articulation or description of emptiness experienced during individual confrontations with their desires, bsed on the perceived impossibility of those desires. Tis sparks criticism due to the biased use of reversed perception in writing of supernatural literature, ad the revelation about supernatural narratives and their roles in the invisible and the silenced (Barnet, Brto & Cain, 2011).
Rsemary’s fantasy literature of subversion expounds on the notion of character in realistic fiction, aguing out that as long as supernatural literature does not put aside the character and everything implied by the character in terms of illusion and complicity with classical reasoning and the appropriation economy that such reasoning supports, tere is continued lock up in the treadmill of production. Se seeks to criticize against the vague interpretations of fantasy as mere escapism, ad simultaneously tries to fantasy a distinctive narrative.
Se seeks to explore the use of fantasy, i supernatural literature, i expressing and defining culture, ad the connection between individual desires (Barnet, Brto & Cain, 2011). Imersive fantasy in supernatural literature writing encourages individuals to share to sets of assumptions and perceptions, i addition to the real world. I creates interactions between readers and protagonists, wth the fantasy presented as a norm to the readers, wth no space for comment and no. ..
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