Subjective interpretation, vriance, ojectivity, ad fact all vanish into a monolithic machine that drives meaning to a single source, a illusory central point of vanishing into history. "f you asked me what sociology is, Iwould say that it must be insight into society, ito the essential nature of society, "Adorno says – it must be, bt it is not. "adies and Gentleman, Iwould now ask you not to write down and take home what I have told you as a definition of sociology. i cannot be reduced to Aorno and the Frankfurt School are advocating a position of radical freedom from the State and the restrictions of theoretical interpretation through a radical re-thinking of fundamentals, uiversals, esences, ad other aspects of bias that make claims to ultimate truth or reality in sociology.
Kowledge systems inherently promote totalitarian universal values, te essential meaning of things that is fixed and unchanging, o knowledge of the inner-operation of society and the universe that inevitably falls short of the goal of accurately representing reality. A Adorno writes in “Negative Dialectics” (1970), speaks in the newest aesthetic debates of anti-drama and anti-heroes, ten Negative Dialectics, wich holds itself distant from all aesthetic themes, culd be called an anti-system.
I “Negative Dialectics” represents an anti-system, ten Auschwitz on the other extreme represents the fully totalitarian aspects of a system in application. Fom the perspective of humanity, Aschwitz is a symbol of the most terrible aspects of modernism, te factory of anti-Semitism and death, te total mobilization of society to the ends of violent, fscist theory. Aschwitz motivates the moral awareness in to bt Adorno recognizes that this requires freedom of thought and critical awareness as a basis for activism.
Te person confronted with the symbol of Auschwitz must respond because as Adorno states, “itler has imposed a new categorical imperative upon humanity. 5 If Auschwitz can be considered the apotheosis of evil in modernism, ten the challenge exists in philosophy to go beyond modernism, t purge modernist thought of its fascist element and remake it in the model of one’s own moral awareness and critical understanding. “uschwitz confirms the of pure as death.
Te most provocative dictum from Beckett’s Endgame: tat there would no longer be anything to really be afraid of, racts. ..
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