This initial statement as well as the concept that he will only state facts of the situation both show that the situation which Lucio explains is one which has been detrimental both mentally and emotionally. The main component which one is then able to look at is based on the ability to consider Lucio’s innocence, specifically because of the mental trauma which he places from the beginning of the story.
The first mental struggle which is noted when Lucio is at a party with his friend who has been invited by an American woman. The time until this point is one which is considered casual with a group of friends coming together to enjoy an evening. However, the mental state immediately changes when the American woman states that she will be giving her own impressions of art. When the presentation begins, Lucio states “When we came back into the large salon, I, for my part, felt afraid and shrank back. The whole scene had changed it felt like a completely different room” (Carneiro, pg. 31). The approach which Lucio states is one which is foreign and overwhelming. However, when the performance begins, Lucio describes a fluid which is given to the audience and which created an ecstasy among those in the room. The confusion, physical response and the inability to recognize what was occurring then equate to the first episode in which the mental trauma begins. Portuguese Literature Analysis: The Mandarin and the Yellow Sofa.
Works CitedCarneiro, Mario. Lucio’s Confession. Dedalus: New York, 1993. Chagas, Manuel. “The Desecrated Church.” Negreiros, Jose. “The Turtle.” Patricio, Antonio. “The Fountain Man.” Queiros, Eca. The Mandarin. Dedalus: New York, 1999. Quieros, Eca. The Yellow Sofa. New Directions Publishing: New York, 1996.
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