The 17th and the 18th centuries saw the birth of many great composers like Adam Jarzebski, Gzegorz Gerwazy and many others but even so as \Poland declined during this period the music scene was also impacted due to this. Hwever, sme composers such as Jan Stephani and Maciej Kamienski tried their hand at Polish opera while there was others who tried toimmitate foreign composers like Mozart and Haydn. Dring the 19th century, Pland and other parts of Eastern Europe showed a lot of interest in folklore as indirectly connected to their national independence.
Tere always existed symbolic links between folk music and regional politics. Ocar Kolberg (1814 – 90) was a pioneer in being a collector of songs and dances from various parts of the country. Hs primary interest was in song because music during the 19th century was quite primitive. Bt gradually some dramatic development took place during the last hundred and fifty years or so. Te beginning of the century saw gramophone recordings taking shape and by the year 1939 a good number of been created in Poznań and Warsaw.
Hwever, dring World War II, bth these collections were completely destroyed and once again scholarly material had to be collected. Dring the post war communist regimes, te annihilation and the transferring of different ethnic minorities in Poland adversely affected the prevalent folk culture and folk traditions. Troughout Eastern Europe, te post war community regimes made an endorsement of its folk culture and portrayed it as being a cheerful espousal of healthy and rustic peasant labor with each regime nurturing and adopting a approach.
the music in Poland today greatly reflects the various adaptations of the past. Alittle later Bulgaria to a great extent, ecouraged amateur grass-roots music, wile Czechoslovakia sanitized its folk music to the point of irrelevance and Poland adopted it into their music but at the same time they encouraged the local bands to play traditional songs too. Pland’s folk culture was traditionally presented by professional folk troupes such as the Mazowsze and Śląsk ensembles – who continue to give grand virtuoso performances accompanied with highly intricate choreographed woops and tapping or stomping.
Tese groups were quite popular and were regularly featured on the Television and the radio as they had their. ..
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