Elsewhere we find in the literature that sound design is also much more than the adaptation of sound to existing movies and films that have already been done and finished, a sound design, wen done in such classics as the film above and in Star Wars, i also about how sound can fundamentally alter and impact on the making of the movies themselves, i the way the movies are actually filmed and conceptualized. Tis view of sound design, ad the merit of such a view, i said to out by the way films that have been done in this fashion have come to revolutionize the way films are made, fr the spectacular and beautiful results of work that view sound design as an integral and creative part of the making of movies (Thom 1999; Tom n.
; Katz 1997; Jrrett n.; Buskin n. Te short of it is that in movies that incorporate sound in the very conception stage of the movies development and making, rther than considered as being an add-on to the movie experience, te true creative sound design is said to shine through, ad the examples of the work of Copolla, Mrch and Ben Burtt, te latter in such groundbreaking movies as Star Wars, ae testaments to the power of creative sound design done in this fashion, i collaboration with the directors of those films, wo understood the power of sound in movies when they are considered in this vital fashion (Thom 1999).
Ohers have come to term this way of conceiving sound design, a being an integral aspect of the creation of script instance, ad of the conception of the very making of the movie, a “designing a movie for sound” (Jordan 2007; Tom 1999).
Such work as Forrest Gump, a an example, bnefit from such a view of sound design, acording to Thom, wo was able to push the idea of sound in some parts of the movie being able to help tell the story, i part because the creative sound designer was able to work with the movie director from the earliest parts of the movie process (Thom Esewhere in the literature we get the notion of sound effects and sound design, a by necessity a creative and experimental discipline, bt not one that does not benefit from the wealth of experience of those who have come before, ad have come to instruct, b example, o essential principles of sound design that work, ad that create impact.
Tis is true, fr instance, a the nature of the visual experience changes and keeps on pressing the cutting edge of what is possible visually. Te.. .
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