The first solo commences from 1:32. Dizzy Gillespie plays the first solo that sets the expectations from this musical piece. Once Dizzy starts playing the timbre, texture and original tonal quality of the trumpet can be identified. He starts playing from the higher octave. The notes played by Dizzy are clear, bold and distinct from one another. His style represents clarity and confidence. He does well in varying the amplitude and therefore the emphasis on certain notes by controlling the air pressure through light whistles and hard blows into the trumpet pipe. Dizzy remain calm, composed and relaxed throughout the performance. He takes time from until 2:02 seconds playing with the tempo and at a slow pace. He is seen smiling at the audience and his fellow-performers, turning left to Sonny and saying something to him between 2:00 and 2:03 seconds of the video. He demonstrates stunning control over his instrument at 2:16 playing an impromptu solo, manoeuvring the trumpet keys and weaving a fantastic note progression involving chromatic note progression (i., playing consecutive notes to create a dissonance). From 2:35 to 2:45 Dizzy moves along with the rhythm and creates beautiful composition and at 2:46 he plays a dissonant pattern. Once again at 3:16 Dizzy pulls off an incredibly fast and tough solo putting the audience at awe. From 3:35 till 3:40 amplitude modulation is brought out in its best form by regulating the air pressure. Dizzy modulates the pitch and frequency with ease. At 3:46 he gracefully pulls of another sweep of note progression. A gradual descent in the form 4 repetitions down the higher and middle conclude his solo exactly at 4:00 of the video. At this point in time Sonny Stitt takes the centre stage with his solo on the saxophone. The audience now has high expectations from the musical piece and Sonny doest perfect justice to it through his individual style and mastery on the instrument.The part played from 4:10 to 4:25 has a lot of chromatic notes and awkward note patterns/ progressions woven together into the solo. It incorporates jumping notes and a staccato style of playing with intermediate legato to connect the phrases and introduce musicality in it. Sonny walks a thin rope between complexity and musicality. From 4:26 he demonstrates his power of breath by blowing long and deep gusts of air into the saxophone mouthpiece. He
1. Unterhose123, Dizzy Gillespie, Sonny Stitt, Lou Levy, Ray Brown, Gus Johnson.”Blues after Dark”. 17 Feb. 2012. Web. 15 Nov. 2012.
Retrieved From: http://www.youtube.com/watch?v=f3jPpYFc4Yo
2. Saxdad59, Dizzy Gillespie, Sonny Stitt, Lou Levy, Ray Brown, Gus Johnson. “On the Sunny Side of the Street”.16 Aug. 2008. Web. 15 Nov. 2012.
Retrieved From: http://www.youtube.com/watch?v=s8UEGmAvWfM
3. Jazzical28, Sonny Stitt, Lou Levy, Ray Brown, Gus Johnson.”Lover Man”. 15 Jan 2011. Web. 15 Nov. 2012.
Retrieved From: http://www.youtube.com/watch?v=VY9ywcx7-bA
4. kent0819onlylove3, Gillespie, Sonny Stitt, Lou Levy, Ray Brown, Gus Johnson.” Dizzy Gillespie Quintet: Blues Walk”. 8 May. 2012. Web 15 Nov. 2012.
Retrieved From: http://www.youtube.com/watch?v=ondhKp0dde8
5. Jazz Icons. “Dizzy Gillespie – Live in ’58 and ‘70”.2006. Web 15 Nov. 2012.
Retrieved From: http://www.jazzicons.com/ji_gillespie.html
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