Although the reader knows the younger man is referring to his wife, te name of the lady also serves to warn the reader that a pure faith such as Goodman Brown possessed prior to entering the wood would have been better off had he simply trusted to its council and remained home for the night. Through the journey, Yung Goodman Brown’s eyes are opened to the idea that the people he has considered so good in his lifetime are as full of the sin and corruption that his exists in all men at the time of their birth.
Confronted with his wife at the initiation ceremony, Godman Brown finally understands the teaching of the Puritans that no man may ever escape the evil to which they’re born, rgardless of their intentions or daily activities. From this experience, Godman Brown loses his faith in a good and forgiving God, ding a bitter and suspicious man after having lived a bitter and suspicious life. I “The Tell-Tale Heart, ”the narrator is seen to be driven mad by his fixation recurring symbols within the story – the beating heart and the ‘evil eye’ which is either a glass eye or an eye covered with the milky white film of cataracts.
Having set things up in terms of the two symbols conflicting against one another, te narrator of the tale continues to insist that he is not insane, eentually convincing the reader this is not the case. It is seen almost at once that the incongruity of the ‘evil eye’ housed within a person that had been loved drives caregiver extreme distraction, pshing his/her mental state over into a madness that sought escape in whatever form it could devise.
Although the rationality of the actions taken are illustrated as a means of proving the absence of madness, “f still you think me mad, yu will think so no longer when I describe the wise precautions I took for the concealment of the body” (159), te macabre details delivered completely without emotion and with a simple step-by-step precision tend to hint otherwise, “he night waned, ad I worked bt in First of all I dismembered the corpse.
I cut off the head and the arms and the legs” (159). This casual approach to murder and the horrid butchering that occurred afterward is further accented by the narrator’s audacity of placing his own chair directly over the spot where the body was hidden as. ..
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