Visconti together with the Giuseppe Tomasi all related to the movie’s thematic illustration of the change in the Italian society. Both were born in Italian and Sicilian aristocrat families, and they identified with the changes that resulted from the unification of the Italian states (Landy 152). The movie captures the ascension of the Italian middle class and the decent of the Italian aristocracy. Visconti aptly captures the uprooting of the Italian aristocracy due to the resurgence movement in the country.Luchino Visconti is famous for his two historical films based on the Risorgimento era of Italian history; Senso and the Leopard. In all English taste, the Leopard is not as melodramatic as expected. The change in social status of the aristocrats ought to have come with a little bit more drama, but the Prince of Salina downplays this. The director, however, combines several intellectual influences into the Leopard. These intellectual influences brought the film its fame and recognition in the 1963 Cannes Film Festival where Luchino won the Palme d’Or category.The cameraman, Giuseppe Rotunno, utilizes anamorphic cinematography to capture all the surroundings of Sicily. This anamorphic cinematography vividly captures the landscape and brings reality to the audience with its lingering effect. Each scene is filled with unforeseen drama of upcoming scenes. For example, the mournful march of the hundreds of soldiers and the rising of smoke in neighboring estates. No scene is ever tranquil in this Visconti masterpiece; leaving the audience with a persistently beautiful yet dramatic film.The ballroom sequence at the end of the movie illustrates the prowess of Visconti as a director (Landi 156). This scene is beautifully shot, to say the least; the scene captures the Prince’s melancholic face and posture. His decisions during the movie hit him during this scene. He realizes that the Italian aristocratic tradition of crossbreeding results in the fall their class. Crossbreeding, according to him, does not result into purified and noble class. The practice leads to slovenly and ignoble children characterized by his daughter Concetta. During his dance with Angelica, her angelic beauty quells the Prince’s mind. His face during this scene is serene as he finds solace in Angelica’s beauty.The movie does not have close-ups of any kind. Visconti utilizes the effects of using long shots during the filming of the Leopard. Long shots enable the
Landy, Marcia. Italian Film. Cambridge [u.a.: Cambridge Univ. Press, 2000. Print.
Levine, Sanford. Best Movie Scenes: 549 Memorable Bank Robberies, Car Chases, Duels, Haircuts, Job Interviews, Swearing Scenes, Window Scenes and Others, by Topic. , 2013. Print.
Tomasi, di L. G. The Leopard. London: Harvill Secker, 2010. Print.
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