Then, te film largely acknowledged the Catholic concepts about Christ. Te key critique found in the gospel regarding Marxism is that traditional materialism is not compatible with the doctrines of Christianity like, fr example, te reality of materials beyond matter, sch as the spirit. Psolini was exceptional in his ability and strategy to pick scenes from canonized texts and convert them into factual images. Hs style, wich is embedded firmly in Italian neorealism, ipacts on his film that brings life and reality to the screen minus the dilution formulas and melodrama 2012, p Viewed critically, te use of nonprofessional actors who are directed in realistic situations of everyday life delivers an unexpected compatibility between Pasolini’s understanding of Marxism and the Gospels, epecially through the view of social criticism.
A openly known Marxist, Psolini’s film was viewed in that perspective by most of the audiences. Yt, h uses it perfectly to communicate a universal Jesus Christ as a messiah belonging to the working class and possessing revolutionary sensibilities. Plitics (and the Romans too) do not play a significant the film.
Jsus Christ’s trial before Pontius Pilate is screened from a distance and very briefly while assuming the perspective of the crowd 2012, p Instead, Psolini’s focus is on the religious establishment, prticularly on the scribes, Parisees and priests. A a cultural movement, norealism in films essentially brings forth the true life elements of the narratives they describe, rther than focusing on a world that exists chiefly in imagination. Ialian neorealism, i particular, sgnified social progress and cultural change in the nation Pasolini is successful in continuing concerns neorealism with the realities of life as well as representing recent history by characteristically casting the working class and the poor while filming on location 2012, p As a matter of fact, Bsilicata, were the film was mainly shot, i one of the desolate and poor Italian districts.
Te Gospel According to St Matthew is a typical example of the neorealist films because it mainly contends with the harsh moral and economical conditions of Italy after World. ..
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