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How the history of Sound design connect with visual practice of film

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However, i the 1960s there was a comeback of poetry art where written art included drama and theatre. I was characterized by online representation of poetry in motion, mstly adopted from the ‘Dynasts’ of early 19th century. Te Dynasts were transformed to display the ‘Napoleonic Image in Hardy and Tolstoy’ which was done by the two poets Hardy and Tolstoy, nrmally known as the 19th century contemporaries. Hardy has used music in his poetry such as in the poems “A Church Romance” and “The Darkling Thrush” (Guide to Work 359).

I addition, h has the collection of his poems in a publication, ‘he Hardy Review’, ad online (Guide to the Years Work 363). Te art work of the early 19th century and that of the 20th century evoke sensational and melodramatic feelings in the audience, hnce involving them into the performance. Fr example, Hrdy is famous with his aesthetic expression of romance, tus drawing the audience to identify with his status in the poem. I every artistic presentation, tere is evidence of organization in terms of language, the concepts, vriation of sound, ad motion.

Tese factors captivate the audience, daw them to the performance and engage them mentally. “uide to the Years Work” views auditory images as the source of emotions (p. 376), ad can be used to mediate culture if they are given the due attention (Guide to the Years Work 377). Te poet, Grard Manley Hopkins, caims that the eye rhyme associates with the corresponding parts of the picture or motion in the performance (Guide to the Years Work 378), ad the ear the important of the five senses as he alludes in his poems.

Te 20th century writers have translated their writing to films that incorporate visual motions and sound. Hwever, te content of the films is not very different from the content in the 18th and the 19th century poems and portraits (Spielmann 278). Fr instance, i the writing of Tennyson, D Rossetti, ad Morris, te inclusion of music resonates well with the words and the image in the film “The Palace of Art”, gving the film an aesthetic I depicts in the tone of the poet, te music, ad the visual expression of the whole presentation.

Wen the sound, iage, ad content are combined with the musical instruments, tey form constant process of interference. ..

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