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How the history of Sound design connect with visual practice of film Essay Example

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How the history of Sound design connect with visual practice of film

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However, in the 1960s there was a comeback of poetry art where written art included drama and theatre. It was characterized by online representation of poetry in motion, mostly adopted from the ‘Dynasts’ of early 19th century. The Dynasts were transformed to display the ‘Napoleonic Image in Hardy and Tolstoy’ which was done by the two poets Hardy and Tolstoy, normally known as the 19th century contemporaries. Hardy has used music in his poetry such as in the poems “A Church Romance” and “The Darkling Thrush” (Guide to the Years Work 359). In addition, he has the collection of his poems in a publication, ‘The Hardy Review’, and online (Guide to the Years Work 363). The art work of the early 19th century and that of the 20th century evoke sensational and melodramatic feelings in the audience, hence involving them into the performance. For example, Hardy is famous with his aesthetic expression of romance, thus drawing the audience to identify with his status in the poem.In every artistic presentation, there is evidence of organization in terms of language, flow of the concepts, variation of sound, and motion. These factors captivate the audience, draw them to the performance and engage them mentally. “Guide to the Years Work” views auditory images as the source of emotions (p. 376), and can be used to mediate culture if they are given the due attention (Guide to the Years Work 377). The poet, Gerard Manley Hopkins, claims that the eye rhyme associates with the corresponding parts of the picture or motion in the performance (Guide to the Years Work 378), and the ear is the most important of the five senses as he alludes in his poems.The 20th century writers have translated their writing to films that incorporate visual motions and sound. However, the content of the films is not very different from the content in the 18th and the 19th century poems and portraits (Spielmann 278). For instance, in the writing of Tennyson, D. Rossetti, and Morris, the inclusion of music resonates well with the words and the image in the film “The Palace of Art”, giving the film an aesthetic feeling. It depicts harmony in the tone of the poet, the music, and the visual expression of the whole presentation. When the sound, image, and content are combined with the musical instruments, they form constant process of interference

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