These first bars are sustained with a solo woodwind. Fom here, te symphony then proceeds with some variants at fist. Saccato strings come in here to bring up the theme. Sme scholars have interpreted the early use of staccato here to be a pace setter for a later melancholic mood given these variants. Te next thing is that the theme then moves to lower strings as the Andante carries on. Te purpose of having adante here is to explore the themes as well as the assembled rhythmic material. Dawing the end, oe can notice a hint of a theme, wich is to become the Allegros first theme.
Te Andante is brought to a stimulating and full orchestral close in a captivating style while the Allegro continues without a break. A this juncture, srings, tumpets and timpani bring in the Allegros first theme in what appears to be a full blast. A the theme rises, wll-chorded triplets from the woodwind beautifully link it. The Allegro is now on the 17th bar but Franz is already introducing another theme. Tis the second theme marked with dotted crotchet-quaver - rising and falling.
Tere is a blend of support from woodwind and horns with a triplet configuration. Tere is no change in this new pattern with the full orchestra climbing up to a C major climax. I the next 2 bars, Fanz modulates the symphony to E minor. Ooes and bassoons introduce the movement’s third theme. Volin arpeggios deftly accompany these and are then extensively developed rhythmically. I appears that there is a musical rhythmic contest since duple and triple rhythms to contend with one another.
Saccato and legato is also employed. Te mood is now more speculative, wth what appears to be a touch of melancholy. Uing the three trombones artistically harmonize the additionally modulations. Bsides, tey bring in the sum total of solo passages to the movements fabric. A it closes, i uses rhythmic patterns like in the 1st and 2nd themes. T sum it up, Fanz makes use of an extensive play between the 1st and 2nd themes. H endeavors successfully to enrich the themes harmonically. Fanz whole theme into a slowly forming a crescendo, bfore a shift in an A major phrase.
Te opening is string instruments ruling the first theme. Fanz presents all the major themes without musical acceleration though with a lot of energy and vigor. Tis is highly seen or can be interpreted as a Coda. I is marked “Piu...
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