For both films, each scene portrays lives of regular people as they go on with their lives, before, during and after the war. Different types of people have different opinions towards life turning events just like a revolution. It will take thousands of people to put their lives on the line just to stage such a revolutionary act. Artists tend to infuse their masterpieces with events to portray the hard times and sufferings. The success or the failure of revolution will not bring back lives the way it used to be before the whole experience (Marchetti 95-106; IMBD.The music that has been used in the films is to bring out the more emotions to the films. It was used to give a more demonstrative portrayal of the events. This may not be advisable any more since the revolution by itself is an emotional torture. Seeing events that might have taken place or closely portray what have happened in reality is enough torment, using more affecting background music will just add more agony to people. Recalling events that have happened should not be forgotten however reiterating events one too many times can cause severe trauma to people (Lee 16-8; Marchetti 95-106; IMBD.Mao Zedong was the leader of the Communist Party during the 1960s. It was Mao himself who pushed people to revolt against the party which he was leading. An opinion towards this move was that the leader himself would like to transform the literature and arts of the Chinese nation. Motion picture is a form of the arts. These 2 films are just examples of how the revolution destroyed the once happy and peaceful lives of the Chinese people (Lee, 17-8).Mao used his. Arts and Politics in China.
Huang Tu Di (Yellow Earth). Dir. Kaige Chen. Perf. Xueqi Wang, Bai Xue and Quiang Liu. Guangxi Film Studio. 1985. IMBD.Com.
Lee, Hong Yung. The Politics of the Chinese Cultural Revolution: A Case Study. California, USA: University of California Press. 1978.
Marchetti, Gina. Two Stage Sisters: The Blossoming of a Revolutionary Aesthetic. Jump Cut: A Review of Contemporary Media. No. 34. March 1989.
Wŭtái Jiěmèi (Two Stage Sisters). Dir. Xie Jin. Perf. Xie Fang, Cao Yindi and Shangguan Yunzhu. Shanghai Tianma Film Studio. 1964. IMBD.Com.
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