These obstacles can be based on the educational system, primary rights, and prime benefits. It is verified that the structure of the American-African culture is primarily viewed as the sign of cultural authority and ability. The unknowable depth of the blackness has been effectively presented in the film which includes rape and torture scene of African-American culture. The depth and potential cinematic experience of the depth of the blackness have been derived from the culture conformity between African and American. The construction of the Pulp Fiction is based on gangster theme which is constructed for the white cultural imagination. The meaningless violence that occurred towards the black gangster is based on racial construction. The black urban lifestyle and experience have been described in authenticity and depth in the Pulp Fiction. Paul Gormley states that the popularity of the film is based on the perceived knowledge and thinking of white American audiences. In the 1900s, the description of the meaningful and powerful realism on New Blacks is based on the resistance and political variances.
The American-African youth culture on music has been effectively incorporated and presented which primarily focuses on the youth male characters. Race Issues in American Films.
Gormley, P., 2003. Screening the City. London: Verso.
Hughes, A., and Hughes, A., 1993. New York: Darin Scott Production’s.
Tarantino, Q., 1994. Pulp Fiction. New York: Jersey Films.
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