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History of Caricature and High Art

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This research tells that art is as old as the human generation. Historians trace arts to the stone drawing of the pre-medieval ages thus depicting the early human civilizations of the Mesopotamians and the Egyptians. Every generation of humans had their unique civilizations and arts presented a means of preserving these civilizations thus communicating them to their offspring. From the most mundane of drawings to the modern day sophisticated computer-aided arts productions, arts as a discipline has come a long way incurring the contributions of iconic personalities all of appreciated either one or two aspects of the practice thus leading to the advanced development of each.

The earliest forms of drawings and illustrations categorized as caricatures are from the works of Da Vinci who coincidentally belonged to the high society. Da Vinci was an elitist and a highly reputable member of the society whose works are valued on this day and included drawings and paintings. In his works, Da Vinci traversed nature and religion and hid most of his messages in the specific elements of arts such as color intensity and color balance.

This made his works have diverse interpretations and understandings. Besides the serious categories of his works such as the painting of Mona Lisa, Da Vinci produced portraits of paintings and drawings possibly categorized as caricatures in which he presented satirical elements of nature and those of the leaders and authorities of the time. This, therefore, implies that the art of caricature originated from the high society and thus must have been a branch of high art.   Art is a medium of mass communication, a that makes caricatures and cartoons part of the modern-day newspapers.

The eighteenth century London had enlightened individuals who fostered the growth of arts through the presentation of caricatures in the common means of mass communication, this included magazines and other publications. One such authoritative caricaturist was James Gillray.

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