The effective rhythmic theme and repetition is easily retained in the memories of the listeners. Te approach makes it easier for the listeners to associate the themes and sound with the character who is the murderer in this context. Te whistling made by the murderer helps the audience to identify and recognize him through the use of sound (Egorova, 1997). Te use of a phrase, Csi fan tutte in Wolfgang Amadeus Mozarts’s opera present a better example of allusion. Te other example of application of the principle is Magic Marksman, aCarl Maria von Weber’s opera.
Wber’s application of the leitmotif principle was purely instrumental. I one of his operas called Euryanthe, tirteen motifs were developed in the orchestra. Te principle has also been brought out well in Symphonie fantastique, atype of drama that was associated with Hector Berlioz. Te leitmotif principle in the opera is presented in various forms (Franklin, 1991). Frst as a nightmarish vision connecting her to the witches’ Sabbath and secondly, bings out the thought of the poet toward his beloved. Blioz’s idée fix not considered a symphonic fabric part.
Wgner’s work present rich abundant of both transformation and allusion. Tansformation has also been presented in the Rhinegold. Tansformation of the song about their treasure has been done. Msical allusion has been presented well in Richard Straus’s opera called Rosenkavalier. Te thematic transformations presented not based on dramatic references rather than musical developments. Litmotif principle is utilized in most of his symphonic poems. Lttle has been done on the extension of the principle after the demise of Wagner. Wgner is believed to contributed to the use of allusion as a leitmotif principle in most of his work.
Te other form of the principle, tansformation had been utilized by those who came before him. Litmotif stands for a phrase in music that keeps on recurring. Te phrase is usually associated with an idea, pace or person involved (Paulus, 2000). Te use of leitmotif principle in film and opera dates back to the eighteen century and majorly on the ninenteen century. Amusical motif has most often been defined as melodic, sort musical rythmic or Litmotif principle in music and films can be in terms of orchestrations, hrmony, rythms or accompaniments.
Te principle is beneficial to the. ..
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