as that will be costly and unprofitable. Furthermore, the artists need more exposure to gain experience in stage performance as well as grow fan support as an independent label before thinking of advancing their music to another new level that can be attained with the help of a major label among other agencies.Another outstanding difference between major and independent labels is the actual contracts they sign. Based on the contract, an artist subscribed to independent label has more benefit than an artist subscribing to major label. This is simply because in their contract, major labels do not allow artists to keep rights to their music; the major label can use it for what they want. This includes selling it off for films, television, commercials or any other ways they want. Thus, some benefits are taken by the parent company leaving the artist with little room to taste the fame (Brain 302). The marketing firms sign binding contracts with artists. The contract almost makes the artist an employee to the marketing firm. An independent artist however plans for all the shows and has a right to sell his or her music to films. All the proceeded in revenue gets back to the performing artist and not any marketing firm. Chance Rapper notes,The other difference is in the proceeds made from the various labels ascribed to by a musician. Whereas most artists dealing with major record labels earn between 10% to 15% royalty to their music, artists subscribing to Independent labels commonly offer between 40% to 75% loyalty. This illustrates how much major labels take in for themselves while suffocating artists in terms of cash. Thus, an independent label may. Differences between Major and Independent Labels.
Rogan, Johnny. The Indie and new wave Music. NY: Guinness Publishing, 2000.
Clark, Michelson. Organizational Structures and Cultures of Independent record labels: An Empirical Analysis. The journal of urban labor and leisure. 6(1), 5-6, 2004.
Brain, Southall. The A-Z of Record Labels Paperback.Sanctuary Publishing, 2003. Print.
Veronika, Kalma. Label Launch: A Guide to Independent Record Recording. Washington: St.Martin’s Griffin, 2002. Print
John, Rudsenske. Start an Independent Record Label (Music Business Made Simple). New York: Schirmer Trade Books, 2005.
Daylle, Deana. Start and Run Your Own Record Label. New York: Billboard Books, 2009. Print.
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