The post-socialist aspect of contemporary art impacts considerably on ethical standards, essential moral and a type of thinking that is quite different from the norm. Such thinking is characterized by conventional habit and wisdom that ushers room for newer sets of beliefs, values, and practices. However, many of these beliefs and practices are seen to be less of beneficial capabilities. I believe that the modern Chinese is heavily characterized by post-socialism and, therefore, most of the work affiliated to it are a proof of post-socialist art in China.This study will carry out an assay on post-socialist art in China and the evidence contained in the artistic work from two perspectives. To begin with is the workings of the body politics followed by a family in disintegration. These two aspects do exploit the weakness in the society and encourage the comeback of repressed desires.Previous studies in the past related to post-socialist Chinese art have pointed to only one essential feature. This is the fiercely erosive and increasing process of urbanization. According to Robin Visser in her research work on the meaning of the new communist strategy to modernize China points out that for the countryside around major cities, there has been irrevocable reversion in the past three decades(Visser, 2010).The process of urbanization does produce a new way through which people see and perceive the world. The contemporary art in China is influenced by a post-socialist background regardless of the massive opposition to socialism and socialist realism. The contemporary art in China is therefore different from the contemporary art in postmodernism. This research. Contemporary Chinese Arts.
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