s husband and also collect the insurance money associated with him. The movie involves several twists and turns leaving the two in jeopardy (Biesen, 2005). The players, costumes and stylistic ingredients of Double Indemnity precisely represent this group of films from the early 1940s era. The dark tone of the movie, the anti-hero who is misguided by material wealth and lust and the seductive nature of women are all important elements of film noir that this movie contains (Naremore, 2008). Dominant ideologies signified that the purpose of females was to rear children and be a symbol of motherhood. The female actress, portrayed by Phyllis, challenged this role of women during the Second World War era, and as shown in the movie, she ultimately pays a price for it. Phyllis is shown as a deceitful vamp and rebellious women who try to work her way out by manipulation. These kinds of traits were not commonly seen in women those days as they were considered innocent and mostly unaware of things happening outside the boundary of their homes. This is shown to the audience when the movie opens up introducing her. The viewers are first treated to her exposed body, and the way she moves is very erotic as she goes on to dress by buttoning up her blouse. In this scene, she is portraying the nontraditional customs of seduction, something which was not practised by women back then. The Events in the History of Film-Making: Ideology and Culture of Film Noir.
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