And industrial revolutions the architectural and social order has changed so dramatically that there should be a corresponding shift in architectural form. H states, “ur exterior world has been formidably transformed in its appearance and its use owing to the machine. W have a new vision and a new social life, bt we have not adapted the house accordingly. 2 Throughout the essay there is a noticeable aesthetic favoring of what he perceives as a rational and mathematical order. I one instance, h even aligns the taste with order of the world of which mathematics and rationality and similar aligned with, ad implies that only buildings designed in this state of mind are aesthetically appropriate, “rchitectural emotion: tat’s when the work resounds inside us in tune with a universe whose laws we are subject to, rcognize, ad admire.
I Le Corbusier outlines five points that develop his vision of a new architecture in tune with the tectonic revolution. Hs ideas in this article are very similar to those he discusses in Towards An Architecture, nmely the heavy mathematical forms and rationality in constructing the buildings.
Fr instance, h writes, “oth supports and support foundations are precisely calculated according to the burdens they are called upon to carry. Tese supports are spaced out at specific, eual intervals, wth no through for the interior arrangement of the building. 4 In all points of his plan Le Corbusier considers not importance of decoration in the buildings but rather emphasizes practical concerns, sch as reinforced concrete construction and constructing the windows so that maximum light will be directed into building.
Corbusier furthers his critique of traditional forms of architecture, ging as far to say that learning literary and historical teaching is useless as the tectonic revolution -- coupled with social progress -- has made such past epochs irrelevant. H again concludes by wholeheartedly embracing the technological forms that have changed the means by which buildings can be constructed, “hus the architect has at his disposal a box of building units. Hs architectural talent can operate freely. I alone, trough the building programme, dtermines his architecture. Te age the architect coming.
5 As one can see, fr Le Corbusier, tese new tools of architectural expression have the potential to empower architects into a.. .
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