We have a sneaking suspicion that the Nazis, with some cutting here and there, could turn ‘Lifeboat’ into a whiplash against the ‘decadent democracies.’ And it is questionable whether such a picture, with such a theme, is judicious at this time.Hitchcock told Truffaut that this criticism is based on “the mistaken thought that a bad German could not be a good sailor.” He also addressed the controversy in an interview in 1963 with Peter Bogdanovich. “There were screams because I appeared to make the Nazi stronger than anyone else,” Hitchcock said. “I had two reasons for that: a) the Nazi was a submarine commander and knew something about navigation, more than the others did; b) in the analogy of war, he was the victor at the time. The others, representing the democracies, hadnt gotten together yet, hadnt summoned their strength.It took a coalition of them to finally gang up on that guy and get rid of Eventually, the group’s efforts were rewarded as an allied ship came to save them.In Lifeboat, Hitchcock thus showed how individuals can overcome their prejudices and weaknesses for the good of the group. It is a far different world which Hitchcock displayed a little more than a decade later in his grim drama, The Wrong Man. This film from 1956 was based on a true story of a man wrongly accused of a crime. The film explored how the false accusation not only effected him but eventually institutionalized his depressed wife.Even though the world seen in Lifeboat was imperiled by war, Hitchcock gave a hopeful. The Evolution Of The Individual In Hitchcocks Films.
Bosley Crowther, New York Times, January 13, 1944.
Hitchcock/Truffaut interviews, French Radio Broadcasts, 1962.
spout.com/groups/ Alfred_Hitchcock/Peter_Bogdanovich_Interviews Alfred_Hitchcock
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