Surface of the ground, te horizontal lines of the buildings in rows, ad the visual angles at which the buildings are placed in the composition, cntribute to the illusion of space and depth. Itegrative and multi-point perspectives occur as from a corner view of a building instead of a front view, a on the right in Figure 1. O the other hand, Hrrison and Wood (2003, p318) oppose the perspectival representation of space, wich they consider to be “a rigid three-dimensional view of the world based on the of Euclidean geometry”.
Te authors state that by using perspective as a key concept in paintings, te world is confined to a cubic box, ad seen as a pyramidal form within the picture plane. Tus, te apex of the visual cone is either in the viewer’s eye, i front of the object, o it is projected to the horizon, bhind the object. Te former approach is used in the East and the latter in the West, bth of which limit and confine space to a finite visual area. Dring Renaissance between the 14th to the 17th centuries, te concept of perspective was first used as a key element by artists, i an intellectual and aesthetic manner.
Te aesthetic functions of perspective included rationalizing the representation of space; tus elaborate group scenes could be organized in a spatially complex manner. Scondly, prspective helped Renaissance artists to produce a compelling illusion of depth. Frther, prspective provided the means to draw the viewer’s eye to the key figure or main action in the painting (Kubovy, 1988), a seen in Masaccio’s The Money seen in Figure 2.
blow (WGA, 2010). te building seen as receding into the distance. Tey are known as orthogonals since they depict lines in the scene that are perpendicular to the picture plane. Te orthogonals converge at the vanishing point in this construction of perspective, wich is just to the right of Christ’s head. Tis technique draws attention to the central actor in the drama, rpresented by Christ, a portrayed by Masaccio (Kubovy, 1988). Acording to WGA (2010) the scene in The Tribute Money represents Jesus and Apostles’ arrival in Capernaum, a given in Matthew’s Gospel.
Te artist Masaccio has incorporated the three different events in the story in the same scene. Jsus’ response to the tax collector’s request, b indicating to Peter on how the required money should. ..
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