The painting does manage to reflect an acute sense of helplessness through an astute exploitation of the sense of proportion. The body of the woman in the painting is much smaller in size as compared to the objects weighing her down. The artist has tried to convey a downward movement, with round shapes on the top resting on linear elements below, thereby highlighting an overall mood of oppression and inertia. The bed is limited to one third of the painting, and the rest of the space is filled with a desolate and barren landscape, overlooked by the spheres representing the sun and the moon.
This indeed imbues the painting with a very disturbing and depressing aura of vacuity and hopeless perpetuity. The palette used by the artist affiliates to subdued shades of dust and darkness, with a riot of relatively dark hues and shades pervading the repulsive contents of the diabolical funnel, thereby drawing the viewers’ attention to the internal agony of the subject, which is much expansive as compared to her obvious physical stature and state. The artist has indeed succeeded in emphasizing a tyrannized inner state of mind, through the adroit use of contrasting geometrical patterns and shades.
Going by the fact that the stature of the woman depicted in the painting is much diminished, largely enveloped by a rake like structure and a gloomy landscape, the artist seems to be deliberately opting for a skewed and disproportionate sense of balance, further accentuated by flat and two dimensional backgrounds. Though this painting is essentially personal, somewhere Frida also comes out as expressing her discontent and frustration with the concepts like motherhood and matrimony that confine and limit women, in a world dominated by patriarchal norms.
Going by the fact that Frida was really tortured by her inability to be a mother and her physical limitations as a wife, the personal angst of the painter so revoltingly depicted in the painting, also expands to include within its ambit the pain and suffering of the universal feminine. In that sense the pain of Frida voices the pain of all women limited by patriarchal expectations and norms. The carcasses and entrails being regurgitated by the women in the painting come out as a revulsion against the commoditization of women in the modern
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