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Critical Analysis of The Syrian Bride Movie

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If there is some semblance to a political tone or cause to this film, it would have to be the fact the film was a collaboration between Israeli and Palestinian filmmakers and actors. According to Kurlansky, this phenomenon is in itself a type of “ border crossing” – one that helps show that borders shouldn’ t matter. One of the most obvious issues tackled was that of arranged marriage. Mona had never set eyes on Tallel before and that it was her father and her family who managed to have her engaged with another family located in another country.

For most audiences, particularly in Western societies, such tradition is repressive and deemed unfit in the context of individual rights and happiness. But this thinking has not been obsessively explored here. Mona’ s family was educated and that her sister was even depicted as very independent. The first part of the film took pains in depicting Mona’ s sadness in her wedding but she nonetheless accepted her father and her family’ s decision. This highlighted the degree to which the film took this side of the issue to heart because it was also bent on presenting another side to it.

A Druze girl leaves her family, married off to someone she does not only love but also had never seen, in order to honor family tradition. Riklis, in addition demonstrated a deeper meaning to this issue that one which makes it easier for a Druze to accede to arranged marriage knowing that a bride leaves her family to live with another across the border just so two families are drawn together by a sense of solidarity that shatters the barriers posed by the factors such as the incomprehensible conflict happening in their homeland.

Along with the issue of arranged marriage, there was also sufficient attention devoted to gender, family, and culture. Interestingly, it was Mona’ s elder sister, Amal, who represented the first variable best. Mona was an obedient daughter. Even though she considered her marriage as unfortunate, she was resigned to leaving the decision making to her family with regards to her married life. Amal was different.

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