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The Phenomenon of Ellington Music

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Ellington had become a glutton for achievement in the field of music and next year his group secured “ a permanent spot at the Cotton Club” (Ellington, n. p. ) with the popularity gained on numbers like “ Black and Tan Fantasy, ” (Ellington, n. p. ) and “ Creole Love Call. ” (Ellington, n. p. )Radio broadcasts followed, which brought national fame to Ellington and his team. Even with the onslaught of Great Depression on the country, Ellington was still making inroads into the world of success and his progress remained unabated. In 1930, when the economy of the world was tottering due to the after-effects of Depression, he had established as one of the greatest performers in the world.

At that time, he had eight soloists, as against three or less with most of the bands. He had outgrown the Cotton Club, his stature was much taller and he along with the team, began “ touring the country, and throughout the world. ” (Ellington, n. p. ) By 1940, Duke Ellington’ s orchestra had attained the number one position in the world. “ Ben Webster on tenor sax, Jimmy Blanton on bass, Billy Strayhorn as the composer and as an arranger, ” the names that would attain world fame in jazz music was part of his band.

His achievements continued for the next two decades, and particularly his performances at “ Carnegie Hall in 1943” (Ellington, n. p. ) and his sterling performances in 1956 at the “ Newport Jazz festival, ” (Ellington, n. p)added to his cluster of achievements. Duke Ellington was known as the transplanted Washingtonian pianist.

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preview essay on The Phenomenon of Ellington Music
  • Pages: 7 (1750 words)
  • Document Type: Essay
  • Subject: Music
  • Level: Undergraduate
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