Beethoven’s Symphony No. 5 The beginning of Beethoven’s symphony No. 5 can be referred to as one of the most popular tunes to come into existence including in this modern times and even individuals who are not fans of classical music are familiar with it. It has been used in multiple scenarios and occasions including by modern media with no correlation to the actual symphony in their productions. The tune brings about a force of emotion that cannot be ignored by the listener and this unique characteristic has led to it being used in a large number of productions such as TV and radio shows, films and live performances by artistes or individuals who would like to elicit some emotion from their audiences(Fandel, 2007).
The feeling can be said to be different in exactness by the particular listeners in terms of the level perhaps but it is safe to say that first part of the symphony elicits an overall emotion of expectation and excitement. The introduction of the symphony brings about the feeling that something big is about to happen be it being implemented in a (or during) a scene by the visual media or other audiences (Fandel, 2007).
The beginning consists of a four note opening that is repeated twice and it is this simple composition at the start that holds such a focusing drive on the listeners’ attention that can be considered to be genius on Beethoven’s part. The shortness of the composition’s introduction and its somewhat pure simplistic virtue derived an undertone of a complex understanding of music and its creation by the composer(Fandel, 2007). The four notes can be described as an opening motif and has gained worldwide recognition as earlier mentioned partly due to the ease with which the motif can be duplicated by individuals with a wide variety of instruments.
Though the piano can be said to be the main origin of this motif, it can be played on other instruments as well, and this served to enhance its popularity(Fandel, 2007). Themes in Beethoven’s Symphony No. 5 Various themes can be found from Beethoven’s classical compositions, and one of the most popular ones includes Romanticism.
It safe to say that Beethoven in effect tried to bridge the gap between classical and romantic composers depending on which aspects of his music one looks at (Fandel, 2007). Beethoven ventured into new harmonic areas through his approach in his compositions as he steps down from an E-flat to progress to a D-flat before returning to his famous C-flat. This movement could be seen in earlier works of the composer such as Symphony No.
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