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The Events in the History of Film-Making: Ideology and Culture of Film Noir

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The 1950s movies, therefore, stressed to redefine family values and focused to get the social identity of the soldiers back (Kennett, 1987). Double Indemnity (1944) is regarded to be the first and one of the finest film noir. The plot commences with Neff who makes a visit to a house to renew one of his client’ s insurance policy. There he meets the attractive blonde Phyllis, also the wife of his client. On his first encounter with Phyllis, when she is standing in the staircase covering her body with nothing but a towel, Neff falls for the seduction he could barely resist.

As Phyllis seduces Neff with all her charm, she convinces him to kill her husband so that they could be together. Neff uses his skill and makes a plan to kill Phyllis’ s husband and also collect the insurance money associated with him. The movie involves several twists and turns leaving the two in jeopardy (Biesen, 2005). The players, costumes and stylistic ingredients of  Double Indemnity  precisely represent this group of films from the early 1940s era. The dark tone of  the movie, the anti-hero who is misguided by material wealth and lust and the seductive nature of women are all important elements of  film noir that this movie contains (Naremore, 2008).

Dominant ideologies signified that the purpose of females was to rear children and be a symbol of motherhood. The female actress, portrayed by Phyllis, challenged this role of women during the Second World War era, and as shown in the movie, she ultimately pays a price for it. Phyllis is shown as a deceitful vamp and rebellious women who try to work her way out by manipulation.

These kinds of traits were not commonly seen in women those days as they were considered innocent and mostly unaware of things happening outside the boundary of their homes. This is shown to the audience when the movie opens up introducing her. The viewers are first treated to her exposed body, and the way she moves is very erotic as she goes on to dress by buttoning up her blouse. In this scene, she is portraying the nontraditional customs of seduction, something which was not practised by women back then.

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