Various endeavors are attempted with the sole intention of subjugating the aliens. Their appearance is considered in terms of an intrusion in a world of hybrids. There are fears that the aliens might infect the locals with strange diseases. It is partly because of this reason that Wikus transformation is considered as some kind of an STD infection by the aliens. This deliberate and systematic subjugation of the aliens testifies to humanity’s inherent weaknesses, which usually shields them from engaging in any meaningful ventures or associations with people who appear to be different from them.
It is within this symbolic illustration that the discourses of discrimination, ethnic balkanization, racial profiling, and gender discrimination have to be understood. One of the most important aspects of this film is that it attends to the discourse of the ‘self’ and the ‘other’ from multiple dimensions. For instance, the portrayal of Obesandjo could be understood in terms of a deliberate revisiting of the testy relationships and the psychological divisions, which led the white supremacists to attach qualities of cannibalism to the black native. Obesandjo is brought into the film as a representative of the negative stereotypes that are often lumped on the black race.
Obesandjo represents the images of barbarism, violence, and greed, which have often been reserved to the black man in Sub-Saharan Africa. He is also represented as backwards and unable to sustain any logical processes in his mind. His worldview is governed by violence and myths. He believes that by eating Wiku’s hand, he will finally find the means to the ultimate answer to his problems. Cohen argues that the desire to destroy a group or individual must begin with some deliberate misrepresentation of facts about the individual in order to justify any form of ill-treatment.
According to Cohen, this trend remains consistent in multiple discourses that are represented within the discourse of racism. Colonialism, racism, and conquest are all dependent on this tendency of converting an opponent into some kind of a monster that must be killed or conquered. In the essay, A Quilt of a Country, Anna Quindlen explores the problematic nature of the American society in terms of its tumultuous past of sharp racial divisions and the underlying psychological strains that affect the racial associations.
The survival of the American nation is a mystery, as the country appears to thrive despite of itself. In some sense, the author paints the picture of the American society as some kind of a façade that hides the undercurrents of racial tensions and the subliminal unease by the dominant white race regarding the possibility of minorities gaining power.
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