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Treatment and Significance of Exotic Settings and Motifs in the Poetry of the British Romantic Period

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This paper tells that it was in the first decade of the eighteenth century when the Orientalism of the British Romantic literature started germinating with the initial translations of The Arabian Nights into English (from a copy in French, 1705– 08). The favorable response of The Arabian Nights encouraged writers to try a new genre, the Oriental tale, of which Samuel Johnson's History of Rasselas, Prince of Abyssinia (1759)) was the ideal mid-century example. The growth of Romantic Orientalism into the nineteenth century, happened concurrently with another trait of Romanticism already available in the Norton Web sites, “ Literary Gothicism. ” ... Similar to Gothic novels and dramas, Oriental stories reveal exotic settings, supernatural occurrences, and exhibitive revelation of happening, role, style, emotion, and language — a revelation sometimes opposed by wry humor even to the limit of jeering.

It was like the “ otherness” of Oriental environs and roles providing the staid British attitude a break. Gothicism and Orientalism perform the job of story-writing more generally — through unreal characters, situations, and fiction as secondary to, even as run-away from the reader's routine actuality. The difference is that their actions are relatively eye-catching to other kinds of fiction.

Entertaining terror and enjoyable exoticism are aroused experiences, with pure imagination and extra-ordinariness at the center of both (Carey, 2013, p. 1).   A sudden change of perspectives occurred in the attitudes of intellectuals over Eastern places, characters, and happenings in the late-eighteenth and early-nineteenth-century British literature after the publishing of Edward Said's totally encompassing, impressive and complicating Orientalism (1978)), which was a little more than stimuli for comfy thrills; this behavior underwent a sudden change.   Besides its well-researched interests in the inner functioning of the mind, relationship with nature, and operating of a spiritual imagination, the Romantic Period in Britain was known as a time of worldwide roaming and finding, accession of colonies across the globe, and nourishing of expansionist ideologies, which provided logic to the British acquisition of far-away lands (Carey, 2013).

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