Concert Review: A Review of Regan Siglin’s Junior Piano Recital al Affiliation The October 31st concert by Regan Siglin had beenhugely anticipated by students and lecturers alike, as it would be a convenient opportunity to gauge the performance of a fellow student against my own private performances (Bennett, 2012). At 4:10 P. M Regan approached the stage from the backstage, and the audience gave her a round of applause before she began actual performance, and from stage she bowed and waved back to in acknowledgement. The mood was expectant and the audience waited with bated breath, and thirty seconds later she assumed her seat and began playing a variation of the epic fantasie.
This paper shall review the concert and her performance on stage during her piano recital, as the greatness of a pianist can only be reviewed by a fellow pianist (Bennett, 2012). The great Mozart, Beethoven and amongst others was only declared great after a consistent review of their performances by fellow artistes. This was one of the best compositions from Schumann expressing a forbidden love between him and Clara Wieck (Bennett, 2012).
Her movement during the performance was impressive, as the slow consistent movement had tact. The first key pressed must have been a chopstick, then the tempo of the recital picked up but within the constant cadence (Bennett, 2012). I was lucky as I sat within reach of the performer and I could actually watch the movements of her fingers methodically dancing around the keyboard picking the keys on the Piano (Froehlich, (2004). The assured performance by Regan could portray one important point that she was being moved by the song, in a manner which could echo Schumann conversing with her.
The slow performance rthymic performance captured the gape of the audience quite fittings, as a look glance around the Kimbrough Concert Hall showed positive approval of her performance. The six minute cameo recital in mid performance began floating emanating rich, grand and delicate rhythm (Froehlich, 2004). Without doubt the song through the mid performance began to convey the message for which the dong had been composed the gentle throb of the combination of black and white key could never be ignored and forgotten.
In fact this paper is quite a frank resonance of the sound that was heard in the concert hall. The sound was stimulated my brains, and frankly it was simply deep within the performer and somatically transferred the sensation to the audience. It is common knowledge with the academic music discipline that indeed music is one if the external factors that stimulate the brain.
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