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Auteur Essay Examples

Analysis of Metteurs-en-Scene versus an Auteur
 Metteurs-en-scene and an auteur are literary or cinema work from varied sources whereby the work of auteur portrays a semantic dimension given that it is not purely formal. The works of Metteurs-en-scene, on the other hand, does not go past the realm of the performance...
Pages: 8 (2000 words) , Essay , Visual Arts & Film Studies
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European Film Studies - How useful is the concept of the auteur in the context of post-war European cinema
The producer with a budget was the central figure. Uder him there were directors, Sript writers, ators, tchnicians, mchanics, cstumers, mkeup men and people who took care of the publicity materials. I was an entertainment factory with clear division of labor. Te production plan for...
Pages: 8 (2000 words) , Essay
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With reference to the film Vertigo how is it's director Alfred Hitchcock might be classified as an auteur
This is a common theme that goes throughout many of his movies and the audience went through these changes as they were presented during the movie. A an example, te obsession that Stewart develops with Judy (the second character played by Kim Novak) suggests to...
Pages: 4 (1000 words) , Essay
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The Works of French Director Jean Luc Goddard from the Perspective of the Auteur Theory
As demonstrated through the work of Directors such as Jean Luc Goddard, because they bear the unmistakable personal imprint of the author, despite the plethora of external market that may fashion the final products. The objective of this study is to examine the works of...
Pages: 16 (4000 words) , Essay , Visual Arts & Film Studies
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How useful is the concept of the auteur in the context of post-war European cinema In answering the question, you should make detailed reference to the work of Pedrom Almodovar
In this case, te concept of the auteur may actually refer to the author of the filmmaker itself. Hwever, wo is treated as the author of a film, ad what is its significance in film studies/film criticism as a concept? Acording to film scholars, te...
Pages: 7 (1750 words) , Essay
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'There are no good and bad films, only good or bad directors' (Francois Truffaut in Walz, 1982: 8). Discuss the Auteur Theory with detailed reference to one director currently working anywhere in the world
Sarris is mentioned more than any other leading English language auteurist authors as Peter Bogdanovitch, Pter Wollen and James Wood. In one of the two comparative popular history texts of the recent origin, Nwell-Smith, Srris and Bogdanovitchare are mentioned. I 2004, te ISI Web of...
Pages: 12 (3000 words) , Essay , Visual Arts & Film Studies
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Compare a commercial film with an auteur film (from the 2000s)
This contrast is sued to show the harsh reality of crime life and to educate the audience of the luxury of freedom. Te use of lighting is also important in enhancing the setting of this film. A the beginning of the film, te in interrogation...
Pages: 10 (2500 words) , Essay , Visual Arts & Film Studies
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Compare the narrative strategies of the following films: Vertigo (Hitchcok) Written in the Wind (Sirk) Persona (Bergman) A bout de souffle (Godard) with particular attention to the concept of narrative closure
This paper makes a comparative analysis of the narrative strategies of Vertigo (Hitchcock), Witten in the Wind (Sirk), Prsona (Bergman), ad A bout de souffle (Godard) in relation to the concept of narrative closure, ad the narrative features such as character motivation, faming, pot motives...
Pages: 4 (1000 words) , Essay
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Michael Bay, auteurship
According to Kipen, afinished film product, wen it achieves commendation and acclaim, sould be attributed to the talents and expertise of the script writer. Hwever, tere appears to be substantial evidence that contemporary directors have the most influence on whether or not a finished film...
Pages: 4 (1000 words) , Essay , Visual Arts & Film Studies
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Authorship/auteurism is a central term in film studies. Would you say that this theory is especially important for European cinema Illustrate your argument through the case study of director Pedro Almodovar
In several cinematographic discourses, ateur theory is believed to have even extended its influence behind film criticism to the law binding the ownership of a film as a whole. 3It is known for example that under European Union law, te director of the film is...
Pages: 8 (2000 words) , Essay , Journalism & Communication
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Jean-Francois Richet
L’instinct de mort or Mesrine: Killer Instinct is the first part of the biographical ideology that is about the life of Jacques Mesrine, the notorious French gangster who killed numerous people, robbed a lot of people of their money, escaped from prison numerous times, and...
Pages: 8 (2000 words) , Essay , Visual Arts & Film Studies
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Martin Scorsese: Auteurism in Gangs of New York
This may be associated with Scorsese’s status as a Roman Catholic and add to this, hs catechism studies with the Irish sisters of Mercy at Old St. Ptrick’s elementary school (Blake 3). Given these, i seems that Scorsese often relates bloodshed with redemption, tat which...
Pages: 5 (1250 words) , Movie Review , Visual Arts & Film Studies
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Film Theory
Sarris extends this articulation, ading his own theoretical elements. H states, “ver a group of films a director of films, adirector must exhibit certain recurring characteristics of style, wich serve as his signature. Te way a film looks and moves should have some relationship to...
Pages: 8 (2000 words) , Essay
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Michael Bay, auteurship
According to Kipen, afinished film product, wen it achieves commendation and acclaim, sould be attributed to the talents and expertise of the script writer. Hwever, tere appears to be substantial evidence that contemporary directors have the most influence on whether or not a finished film...
Pages: 4 (1000 words) , Essay , Visual Arts & Film Studies
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Die Hard (John McTiernan, 1988)
This is not in theory but believed to be found in the work of those auteur critics who were more concerned with the productivity of ‘miss en scene than with the simple identification of the auteur’s thematic preoccupation; tat the present concern with film as...
Pages: 8 (2000 words) , Assignment , Journalism & Communication
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Francois Truffaut
Press, dfend the French flag twice a year at Cannes and at Venice where, snce 1946, tey regularly carry off medals, glden lions and grands prix” (Truffaut 1954, pThe other key component which constitutes “Tradition of Quality” and which is also a ‘loose end’ of...
Pages: 4 (1000 words) , Essay
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Choosing one of the following: John Ford, Mathieu Kassovitz, Ridley Scott, Martin Scorsese, Roman Polanski, David Fincher or Francis Ford Coppola, discuss the advantages and disadvantages for the film studies analyst of viewing the director as author
A good film is that which bears the director’s ‘signature’ that can be manifested in the film through his personality or recurring themes within the film. I agreement to with this theory, w can say that to a large extent, afilm director is the author...
Pages: 6 (1500 words) , Essay , Visual Arts & Film Studies
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Compare 2 Films
One of the primary elements of the auteur is that their personal style and vision is not expressed simply through one film, bt comes to be a characteristic element throughout their work. Igmar Bergmans work clearly meets this criteria. A one examines another of Bergmans...
Pages: 10 (2500 words) , Term Paper
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Film Theory
This strategy backfires and the match goes five sets, lsing valuable time for Guy. But because he is the protagonist and a good person, Gy takes time to shake hands with his opponent and thank the chair umpire before a hurried departure. While Guy uses...
Pages: 6 (1500 words) , Essay
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British Postwar Cinema 1960-1990
Is the idea that while essentially following the historic tradition of British Cinema of adapting successful dramas and novels and persevering the spirit of documentary-style realism of Free Cinema, te British New Wave adapted and altered the auteur theory of contemporary French cinema, cmbining the...
Pages: 10 (2500 words) , Essay
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Do you think that theories of authorship are incompatible with the industrial context of film production
In particular, were some directors such as Orson Welles and Jean Luc Godard are concerned, sme recurring themes may occur in all their works, o their work may demonstrate a particular worldview or personal vision that becomes evident through their work. Tey bear the unmistakable...
Pages: 6 (1500 words) , Essay
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Portfolio of writings
Like firearms and autos, cmeras are dream machines whose utilization is addictive. Sill, tere is something cunning in the demonstration of taking a picture. T photograph individuals is to abuse them, b seeing them as they never see themselves, b having learning of them they can never...
Pages: 5 (1250 words) , Essay
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Auteur Director Tim Burton
The theme of acceptance is shown through how the characters accept or find it difficult to accept other characters, wo may be “different” from the majority. Tat is, wen an individual is different from the majority of the people, i the physical sense, h/she would...
Pages: 5 (1250 words) , Essay , Visual Arts & Film Studies
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Jean-Luc Godards Breathless has been referred to as a virtual manifesto for the French New Wave. By referring to the film discuss how the French New Wave revolutionised cinematic ideas of film style and film storytelling
The “Nouvelle Vague” (French New Wave) represents a movement within the French film sector that gained prominence in late 1950s and 1960s. French New Wave heralded new blood and revitalized France’s already cinematic scene, ad altered almost every aspect of filmmaking and ushered in youthful...
Pages: 7 (1750 words) , Essay , Visual Arts & Film Studies
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Answer five questions that explore key concepts, theories, and ideas that have been explored in the lectures and in the required readings
Scottie’s character is brought out under deem lighting and behind objects when he is spying on Madeleine showing a weak male character in the film (Makkai, 2013). Trough the theories, tere are approaches that are given to theatre as an art and are brought out...
Pages: 4 (1000 words) , Assignment , Visual Arts & Film Studies
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Marketing Tarantino. Rock n Roll marketing: How Tarantino advertised one thing in order to sell another
Finally, te paper will discuss if this style and form of advertising actually has the effect intended. Tis chapter will investigate Quentin Tarantino and the types of films that he makes and how this shapes the type of advertising techniques he would use. From this...
Pages: 20 (5000 words) , Essay
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Film and Media Studies
They include classic film theory, aparatus theory, ateur theory, fminist film theory, frmalist film theory, gnre studies, Mrxist film theory, pilosophy of language film theory, pychoanalytical film theory, sreen theory, ad structuralist film theory. Te paper tries to discuss some of these theories through the...
Pages: 22 (5500 words) , Research Paper , Journalism & Communication
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HISTORY OF MOTION PICTURES
Who displayed mise en scene and cinema verite techniques in his documentaries about African subjects, wre also considered influential in the movement (Taylor, 1964, p Marcel Hanoun, wo, a a television director and cinematographer, “arried Bresson asceticism to its logical conclusion with a subtlety...
Pages: 6 (1500 words) , Research Paper
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Introduction to FIlm
He begins his career at a stock brokerage firm in Wall Street. H learns through a shrewd businessperson, Mrk Hanna who introduces him to drugs among other vices in the industry. Dspite such, Blfort maintains his education and interest on the job until he becomes...
Pages: 8 (2000 words) , Essay , Visual Arts & Film Studies
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Close Analysis of Rear Window
As the faultless lady as she is stylish, atractive and a prosperous business lady; i this movie when she is presented, se is constantly denoted faultlessly and lighting is deployed to limitlessly make her spark. Se is continuously tremendously fashionable and elegant. Wen examining the...
Pages: 4 (1000 words) , Essay , Visual Arts & Film Studies
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How and why have the concepts of new waves or new generations been used in writing the histories of European or world cinema
The combined usage of these codes makes cinema a highly effective channel for the expression of identities at the various levels, icluding cultural, plitical, ntional or individualistic. Te second qualifier for the usage of cinema is that the language used in cinema can be used...
Pages: 8 (2000 words) , Essay , Journalism & Communication
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Fren new wave Cinema (Textua Analysis of a film )
This film becomes the beginning of the career of a modern film genius and also happens to be the manifesto of the new film movement, Te French New Wave. A many critics points out, “Breathless is still probably the most often cited film when...
Pages: 6 (1500 words) , Essay
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'The significance of Wang Kar-wai's films often derives from their coplex and highly creative treatment of time.' Discuss using detailed examples from Chungking
But Hong Kong’s history of being associated with western culture, asorbing the western way of free life, gve it a new identity which tried to mingle and sit well with its old identity. Ad Hong Kong films particularly from directors such as Wong Kar-wai, eho...
Pages: 10 (2500 words) , Essay
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FILM APPRECIATION
It acts like a mirror, lke a checklist. Te film represents the listed problems of society by portraying women as whores and a black man as “evil” because he combats Rambo (Reading 2-3). Tis is what ideology is, areflection of the mass culture in reality....
Pages: 7 (1750 words) , Essay
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Criticism of Alfred Hitchcock
Film critic and film maker, wote: “here are two kinds of directors: tose who have the public in mind when they conceive and make their films and those who don’t consider the public at all. Fr the former cinema is an art of the spectacle;...
Pages: 8 (2000 words) , Essay
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American Independent Cinema
In fact the producer the Howard Hughes, Lonardo de Caprio-starred biopic, Te Aviator, eults that “this movie is the biggest independent movie ever made” (Tzioumakis 2006, p and rightly so because it was produced at a staggering cost of $115 million. Ad not only...
Pages: 10 (2500 words) , Essay
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CONTEMPORARY TELEVISION STUDIES
Narrative, pot, dalogue, oer aesthetics” and “prioritize straightforward and static compositions over more complicated arrangements, ad emphasize close-ups instead of long shots. ”They have identified that “Quality TV” brought an overall change over the conventional or traditional method giving due importance to rhetoric and aesthetic....
Pages: 7 (1750 words) , Essay
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Making detailed reference to TWO classical Hollywood films, discuss how they exemplify and/or problematize the accepted formal paradigm of classical narrative
One considers the scene when Wyatt and Billy meet the hitchhiker and take him to his commune. Rther than embracing traditional American values, tis portion of the narrative emphasizes the counter-cultural elements of the individuals. Fr instance, wen Billy and Wyatt encounter the hitchhiker he...
Pages: 8 (2000 words) , Essay
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The second World War and a conflict between China and Mighty Japan
But amid the millions of individuals, tere ought to be a human being who is valiant enough to dispose of her unfashionable life and follow her contentment and ideal. Te farmers’ unrealistic consciousness cannot be loathed. Hving 1920s and 1930s scenery in northern part of...
Pages: 3 (750 words) , Essay , History
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The movie style of David Fincher
In the movie itself, te final lines are also directed at Zuckerberg’s character: ‘oure not an asshole, Mrk. Yure just trying so hard to be one’. Te social and psychological alienation of his protagonists then, ae a recurrent feature in Fincher’s films. Aother thematic concern...
Pages: 6 (1500 words) , Essay
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Film Final
The good times, wen the Argentina movies were watched all over only lasted until the Early 1950s. Aterwards, te growth of television, te gradual closure of the big studio, te auteur cinema imposed other rules and stagnation of popular cinema (Vila 139). Te emerging popularity...
Pages: 4 (1000 words) , Coursework , Visual Arts & Film Studies
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Analysis of moral struggle
Two, tred with the life of prostitution and associated behavior, se desire a change in life to be a better person. Subbs states that she joins the pilgrimage to the shrines together with her co-workers; i the religious ceremony, “abiria genuinely enters into a religious...
Pages: 5 (1250 words) , Essay , Visual Arts & Film Studies
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Close Analysis of Rear Window
The use of props throughout the movie is symbolic, were the audience is shown everything through the eyes of Jeff by use of the binoculars. Te binoculars represent his sight. Te visual structure can be analyzed where the audiences are constantly shown natural framing, atheme...
Pages: 4 (1000 words) , Essay , Visual Arts & Film Studies
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City of god
A Multiplicity of activities is ascribed to the city, oing majorly to its picturesque scenery, lndmarks, bautiful beaches, ad rich culture and carnival celebration. Oing to these multiple activities, turists throng the city, cntributing to the global market. A is the case in other international...
Pages: 4 (1000 words) , Essay , Visual Arts & Film Studies
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The representation of violence in Michael Haneke's Films
The film may be either a horror movie that its focus is violence or just a comedy that needs to add some more laughs in the content; oe can argue that all these films do not depict the pain and horrifying reality of violence in...
Pages: 12 (3000 words) , Essay , Visual Arts & Film Studies
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Narrative Paradigims and 21st century narratology
While editing, asuggestion such as ‘Montage’ from the screenwriter, t draw disparate shots together in a coherent presentation, i considered to be valid, bt otherwise editing is best left to the editor and director. Te primary aim of the ‘Master Scene Script’ is to provide...
Pages: 6 (1500 words) , Essay
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Steven Spielberg
He became the youngest Hollywood Studio. 1969 saw Spielberg beginning his career as a professional film director. Ecape to Nowhere was a film that Spielberg made about battle in East Africa; h tried to author, t the audience, te happenings of the battle. Troughout his...
Pages: 5 (1250 words) , Essay , Visual Arts & Film Studies
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Final Film Critique
White can be a sign of purity, bt in the case of the film, i is a symbol for controlled sanitation, te sanitation of all rights and freedoms of the mentally ill, sme of which are reasonable enough to make decisions for themselves. Ater Harding’s...
Pages: 8 (2000 words) , Assignment
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City of God
With its setting in New York, rveals that public space is continually being privatized by corporate entitles, rsulting in a cultural war within its streets. I this regard, i is equally important to look at the cultural relevance of urban decay with respect to education....
Pages: 5 (1250 words) , Essay , Visual Arts & Film Studies
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Discuss the convergence of elements associated to Hollywood and European filmmaking in 4 films
With the exception of ‘The Exorcist’, te other three films had their directors playing a key role in authoring the script. Sreenwriter Luciano Vincenzoni’s idea was developed into a script by Sergio Leone for ‘The Good, te Bad and the Ugly’. ‘ulp Fiction’ was written...
Pages: 4 (1000 words) , Essay
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